DIFFERENT COMPONENTS OF BOOK COVER DESIGNS THROUGH HISTORY

Different components of book cover designs through history

Different components of book cover designs through history

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Although we might like to pretend that it is not the fact, books are inevitably judged by their covers.

When you really consider it, it is rather incredible that a book's cover, no matter how lovely it is, manages to stand so eloquently for something that is practically the complete antithesis of its art format-- writing in black and white. In fact, book covers have been created to reflect the emotional state of a book and interest its intended audience ever since the start of large scale publishing in the Victorian Age. Artists were entrusted with discovering what makes a good book cover for specific individuals, or in other words, marketing. People like the CEO of the asset manager that has a stake in Amazon can probably appreciate the function of marketing in creating book covers.
When we buy a book it becomes something really personal to us. It can in some cases be weird seeing a book you love with another book cover, just due to the fact that it is not your book. This personalisation, and indeed ownership, of books was at a totally various level at the genesis of the age of printing, with book covers being developed by the owners themselves, and what they believed would be the best books covers for the book. They would purchase the book itself from the printer wrapped in paper, then take it to a binder who would bring in the covers to the customer's requirements. This usually implied being dressed in leather and after that etched with the name of the book, and, typically, the name of the book's owner. Individuals like the co-founder of the impact investor with a stake in World of Books can most likely appreciate the ownership that people come to feel in regards to their books.
We like checking out books due to the fact that they are really beautiful things. This is true, but the nature of beauty that we may be speaking about is certainly separate to what we might be discussing if we were speaking about, for example, the visual arts. Or is it? For as long as we have actually had books we have actually embellished them with beautiful book cover designs that attempt to mirror the beauty of what is inside. This dates back for as long as the codex itself has been around, with medieval monks, those charged with the security and procreation of the uncommon texts that might still be discovered, ornamenting each hand composed text with amazingly abundant and lovely styles. In fact, such was the appeal held within these books that most of these creative book cover designs were sculpted into ivory or solid gold, studded with gems, and inlaid with rivers of rare-earth elements. Individuals like the co-CEO of the hedge fund that owns Waterstones can most likely value the manner in which the beauty of these book covers was created to match the beauty within the book.

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